In photos: Art and celebration at K’ómoks Festival 2024

K’ómoks Festival celebrates National Indigenous Peoples Day with vendors, artists and more.
A group of people stand in the foreground looking in the same direction at K'ómoks Festival 2024. One tall person wears a traditional cedar-woven hat. The K'ómoks Glacier is in the background.

Photos by Madeline Dunnett/The Discourse

Cedar hat weaving, carving, language learning activities, estuary tours and storytelling were just some of the activities that took place on Friday, June 21 at K’ómoks Festival 2024. The event also featured an archaeology walk, an estuary tour and the historic grand opening of Queneesh House, named after the famous glacier with the same name.

Read also: Magic mountain, melting snow: Climate uncertainty in the Comox Valley

After turning right past the cedar hat weaving workshop, visitors walking through the festival visited the variety of businesses and artisans lined up in booths along the grass field.

An Indigenous woman in a black skirt speaks into a microphone. Next to her are a group of Elders in regalia and one younger person. In the background are decorative blankets.

The festival was one of the two events that took place on the traditional, unceded territory of K’ómoks First Nation to honour National Indigenous Peoples Day. The nation-wide celebration honours the heritage, traditions and knowledge of First Nations, Inuit and Métis Peoples. It takes place annually around the time of the summer solstice and during Indigenous History Month.

The other celebration at the Comox Valley Exhibition Grounds was also put on by K’ómoks First Nation, alongside MIKI’SIW Métis Association, Wachiay Friendship Centre, Kumugwe Cultural Society and Upper Island Women Of Native Ancestry Society.

The top part of a totem pole against a sky with light clouds.

Ceremonies took place under the Norman Frank Memorial Pole, raised in 2022 and carved by Tlingit Kwaguʼł Master Carver, Tommy Hunt Jr. (Waławidi).

Read also: Totem pole at the HUB stands as a symbol of community

After turning right past the cedar hat weaving workshop, visitors walking through the festival visited the variety of businesses and artisans lined up in booths along the grass field.

Kwakwaka'wakw carver Charles Joseph holds up a fish he has carved. It is not painted and rests on a wooden block, about three feet by one foot.

From the Tlowitsis Tribe, Kwakwa̱ka̱ʼwakw Elder and acclaimed carver Charles Joseph took up carving with the support of his family after returning to his home village. Prior to that, he was in a residential “school” as a child and then spent years living on the streets of Vancouver. He managed to find his way back to his hometown village called Kalugwis on Turnour Island, an Island east of Alert Bay. 

“As I walked up into the reserve, there’s this big shop and all my uncles and my grandfather and his brothers, they’re all sitting there carving. It was a really powerful feeling because I had never been around it for so many years,” Joseph said.

An assortment of carving tools is laid out on a table overtop of a traditional Kwakwaka'wakw drawing outline.

“It made me nervous for a while,” he said in reference to him returning home and to carving. Now living in Courtenay, he’s passing on art to the younger generations in his family.

“At the same time I was really excited to be amongst my people again — my father, my grandfather, my grandmother … The patience they had to teach every little thing, what they mean to us and why they mean that.”

A young man with short hair and a turquoise earring holds two tiny woven baskets in his hand. They are smaller than his palm.

James Joseph, Charles Joseph’s son, has been weaving for as long as he remembers. “Years ago, I remember my mom and her aunt and my auntie telling me about weaving spruce roots. And they taught me how to harvest them and how to clean them and how to prepare them to be woven.”

Three people — Oceana Joseph, James Joseph, and Charles Joseph — sit at a group of tables together surrounded by Charles Joseph's carvings and art.

“When I do … my art, it makes me feel like I have a reason in this world,” James Joseph said. 

“I like to carve, I like to weave. But weaving is definitely something that I’ve been called to.” 

Read also: Opinion: Indigenous Peoples Day should be a reminder of Indigenous-led resistances

Two women stand behind their booth displaying a variety of thermoses decorated with different colourful designs.

Continuing along the vendor booths, festival goers could also find Oolani’s Creations, selling a variety of decorated to-go water bottles and thermoses.

A man and a woman wearing traditional woven cedar hats and devil's club necklaces stand at their booth displaying salves and jewelry.

4 Sacred Skincare & Salve offered a workshop on how to make necklaces and jewelry out of devil’s club — a spiky plant that also contains medicinal properties.

4 Sacred Skincare & Salve also prepare a devil’s club salve, adding on its website that devil’s club is considered sacred and none of the plant goes to waste. Rachel Jannati, creator and operator of 4 Sacred Skincare and Salve, says on the website that the outer bark is traditionally used as a fire starter and the inner green bark is soaked traditionally in bear grease for one year.

“I use extra virgin olive oil organic to release all the powerful anti-inflammatory properties. After the green inner bark is stripped down then you are left with the devils club bone. We use the bone for our talking sticks or carve them into devil’s club beads to use in ceremony as part of our regalia as a good omen and spiritual protection,” the website reads.

Colourful crochet octopi, baby stingrays, and a crochet mushroom sit on a shelf. They have little beaded eyes.

Tam’s Crocheting Creations booth featured a variety of sea creatures. Tammi Knox, who crafted all of the crochet sea creatures, told The Discourse that many had sold throughout the day. By early afternoon, there were far fewer critters left than what Knox started with.

Two Elders in regalia stand in the foreground and speak during the K'ómoks Festival closing ceremony. One holds a traditional carved talking stick.

“A big thank you from Hereditary Chief Kerry Frank, Queneesh Indigenous Community Society and Comox Rocks for coming together to celebrate National Indigenous Peoples Day, the historic opening of Queneesh House, naming ceremonies for our youth and so much more,” K’ómoks Festival organizers said in a Facebook post on June 24, 2024. 

“What an absolutely amazing day of sharing culture, community and laughter! Take a bow. Enjoy some rest! Gilakas’la from our hearts to yours!”

Two children play on a beach with dark brown sand during K'ómoks Festival. A black puppy sniffs something in the foreground. Two other people are seen on the left walking along the beach.

Earlier on, a guided midden and fish weir tour took place along the foreshore. At the end of the event, many took to the beach to play and explore. This beach is usually closed to the public but was open as part of the festival.

To learn more about K’ómoks Festival and keep your eyes out for future events, visit https://komoksfestival.com/.

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